Charles Burns grew up in Seattle in the 1970s. His work rose to prominence in Art Spiegelman’s Raw magazine in the mid-1980s and took off from there, in an extraordinary range of comics and projects, from Iggy Pop album covers to the latest ad campaign for Altoids. In 1992 he designed the set for Mark Morris’s delightful restaging of The Nutcracker (renamed The Hard Nut) at BAM. He’s illustrated covers for Time, The New Yorker, and The New York Times Magazine. He was also tapped as the official cover artist for The Believer magazine at its inception in 2003. Burns lives in Philadelphia with his wife and two daughters.