Collected in print for the first time-a young adult detective hero finally grows up in the first volume of this genre-defying, post-YA masterpiece from award-winning creators ED BRUBAKER (RECKLESS, FRIEND OF THE DEVIL, PULP, KILL OR BE KILLED) and MARCOS MARTIN (THE PRIVATE EYE, Daredevil).
Friday Fitzhugh spent her childhood solving crimes and digging up occult secrets with her best friend Lancelot Jones, the smartest boy in the world. But that was the past. Now she's in college, starting a new life on her own - or so she thought. When Friday comes home for the holidays, she's immediately pulled back into Lance's orbit and finds that something very strange and dangerous is happening in their little New England town...
This is literally the Christmas vacation from Hell, and they may not survive to see the New Year.
COLLECTS FRIDAY #1-3.
Über den Autor Ed Brubaker
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Ed Brubaker is one of the most acclaimed writers in comics, a multiple Eisner Award winner. Following fan-favorite runs on Scene of the Crime, Sleeper, Catwoman and Gotham Central for DC, he moved to Marvel. His Captain America relaunch, in which he controversially revived Bucky Barnes as the Winter Soldier, won over fans new and old, and his revisionist take on the history of Marvel’s mutants in X-Men: Deadly Genesis resulted in a regular gig on Uncanny X-Men, Marvel’s flagship X-title. He and longtime artistic collaborator Michael Lark took up the baton on Daredevil after Brian Michael Bendis and Alex Maleev’s legendary run concluded, and Brubaker jump-started Immortal Iron Fist with co-writer Matt Fraction and artist David Aja. Marvel’s Icon imprint published Brubaker’s creator-owned Criminal and Incognito, and he has gone on to further success at Image Comics with such titles as Fatale, Velvet and The Fade Out. Beyond comics, Brubaker has written for TV’s Westworld and co-created the crime drama Too Old to Die Young.Michael Lark has teamed with writer Ed Brubaker on DC’s Gotham Central and the noir Scene of the Crime, as well as adding a timeworn elegance to the World War II flashbacks in Captain America. But his work with Brubaker on Daredevil set new highs — not only for their collaborative efforts, but for the narrative tapestry of Marvel’s Man Without Fear.Spanish artist David Aja earned his fine-arts degree at the University of Salamanca in 2000, becoming a professional illustrator for newspaper, magazine, publicity and multimedia clients worldwide. His comic-book credits include Marvel’s X-Men Unlimited, Civil War: Choosing Sides, Daredevil, Giant-Size Wolverine, Wolverine: Debt of Death, and a long run with writers Ed Brubaker and Matt Fraction on Immortal Iron Fist.
