"I prefer not to," he respectfully and slowly said, and mildly disappeared.
Academics hail it as the beginning of modernism, but to readers around the world-even those daunted by Moby-Dick-Bartleby the Scrivener is simply one of the most absorbing and moving novellas ever. Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?
The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine-to, sadly, critical disdain.
The Art of The Novella Series
Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
Über den Autor Herman Melville
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1819 in New York geboren. Er stammte aus einer verarmten Kaufmannsfamilie. Er ging früh zur See und verdingte sich als Matrose, u.a. auf Walfängern. Seine Reisen führten ihn bis in die Südsee. 1844 kehrte er in die USA zurück, lebte, zunächst mit einigem Erfolg beim Publikum, als freier Schriftsteller in Massachusetts. Nach dem Misserfolg von Moby-Dick (1851) zog er sich weitgehend aus der literarischen Öffentlichkeit zurück. Von 1866 bis 1885 arbeitete er als Zollinspektor in New York, wo er nahezu vergessen 1891 starb.
